Trailering The BFG from Steven Spielberg

We get our first peek of the eponymous giant (a performance-captured Mark Rylance by Weta Digital) from Steven Spielberg’s adaptation of Roal Dahl’s The BFG (July 1, 2016), which also marks his first directorial effort at Disney.

Dahl’s favorite story will be released on the 100th anniversary of his birth and is timely as ever with terrorism and racial tensions on the rise.

The BFG (Mark Rylance), while a giant himself, is a Big Friendly Giant and nothing like the other inhabitants of Giant Country. Standing 24-feet tall with enormous ears and a keen sense of smell, he is endearingly dim-witted and keeps to himself for the most part. Giants like Bloodbottler (Bill Hader) and Fleshlumpeater (Jemaine Clement) on the other hand, are twice as big and at least twice as scary and have been known to eat humans, while the BFG prefers Snozzcumber and Frobscottle. Upon her arrival in Giant Country, Sophie (Ruby Barnhill), a precocious 10-year-old girl from London, is initially frightened of the mysterious giant who has brought her to his cave, but soon comes to realize that the BFG is actually quite gentle and charming, and, having never met a giant before, has many questions. The BFG brings Sophie to Dream Country where he collects dreams and sends them to children, teaching her all about the magic and mystery of dreams.

“I think it was kind of genius of Roald Dahl to be able to empower the children. It was very, very brave of him to introduce that combination of darkness and light which was so much Disney’s original signature in a lot of their earlier works like in Dumbo, Fantasia, Snow White and Cinderella, and being able to do scary, but also be redemptive at the same time and teach a lesson, an enduring lesson, to everyone, it was a wonderful thing for Dahl to have done, and it was one of the things that attracted me to want to direct this Dahl book,” says Spielberg.

The BFG was scripted by the late Melissa Mathison (E.T.) and designed by Oscar winner Rick Carter (Lincoln, Avatar), who’s a contender this year for Star Wars: The Force Awakens.

Posted on by Bill Desowitz in Animation, Below the Line, Books, Cinematography, Costume, Crafts, Editing, Makeup/Hair, Movies, Music, Oscar, performance capture, previs, Production Design, Sound, Tech, Trailers, VFX, Virtual Production

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