Nuke & Mari Showcased at DreamWorks

The Foundry showed off the latest integration of Nuke compositing and Mari paint at the DreamWorks Animation Glendale campus last night (July 21). Artists I spoke with were especially impressed with the potential now for full Photoshop/Mari layering

Brandon Fayette, CG supervisor at Bad Robot Prods., demonstrated the denoise tool on noisy plates in Super 8 as well as the efficiency of the new Nuke/Mari bridge workflow; Joe Farrell, compositing supervisor from Scanline VFX in L.A., revealed the layering complexity achieved by Nuke on last year’s The Hereafter. Judging by the host venue and the fact that DreamWorks screened a trailer for Puss in Boots (Nov. 4), we look forward to learning more about how Mari played a role in its latest animated feature.

Now shipping, Mari 1.3v2 delivers a focused workflow to provide Nuke artists with dedicated 3D paint tools, making digital environment and projection work more efficient and final composited scenes more believable. This was especially attractive to artists working in Photoshop that require better layering.

Released this week, Nuke and NukeX 6.3 offers Deep Image compositing, 3D particles, Planar Tracker, updated Denoise with cutting edge algorithms, updated and redesigned spline & grid warping, and audio scratch track.

Posted on by Bill Desowitz in Animation, Events, Movies, Tech, Trailers, VFX, Virtual Production

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