Geeking Out with Gaeta at the Palo Alto Film Fest

It’s always stimulating talking to John Gaeta. Yesterday, I got to do it publicly for an hour at the inaugural Palo Alto International Film Festival. Gaeta discussed his vision of “deep cinema” and more complete convergence with interactive media, the breaking of the fourth wall, if you will. He traced the pioneering experiments in photographic motion by Eadweard Muybridge (appropriately in Palo Alto and the festival’s iconic logo) to his “Bullet Time” innovation in The Matrix to the current Kinect work with games that he’s doing with motion sensing technology at his Float company in San Francisco.

It’s Gaeta’s contention that while the movie industry is creatively stagnating, we’re on the verge of a new renaissance of technological innovation that will transform both movies and interactive entertainment into a deeper and more subjective experience within a decade. We’re talking holodeck with complete volumetric capture so viewers can watch from the viewpoint of the director or select their own individual perspectives. In other words, imagine going into the Matrix with Neo, or racing into the Photo Anime of Speed Racer, or being transported into the watercolor heaven of What Dreams May Come, let alone the dynamic world of Charles Foster Kane or the distant Pandora or some future universe conjured by a visionary director.

“The whole sensor revolution, really, is starting to pour itself in all manner of application… For instance, the only way to port people in a holographic way would be real time spatial acquisition of them and their textures and to bring them into some common viewing space.”

Gaeta said there will always be one thread of popular entertainment driven by the big or small screen experience because of the immense power of performance sculpted by storytellers in a way that we can’t construct ourselves. “But I do think that the universe these auteurs create is a place I might want to go deeper into… so that by toggling off the camera I could get a free view version and do anything I want, but it’s still the performance: I’m not bending the performance, I’m not changing it, I’m not changing the angle, and I can get all sorts of incredible, expository information…”

But there’s a dark side to the technology, Gaeta warned: Your life is going to be metricized and monitored in every way by Big Brother. But such invasion of privacy he hopes will be halted. Time will tell what will be unleashed.

Posted on by Bill Desowitz in 3-D, Animation, Festivals, Movies, Tech, VFX, Videogames, Virtual Production

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