First Trailering of Into the Woods


Not surprisingly, Meryl Streep steals the spotlight in the first teaser for Disney's  Into the Woods (opening Christmas Day), commanding, "Go to the wood!"  But there's only a hint that it's a musical and Stephen Sondheim's association is hidden until the

Trailering More Interstellar by Nolan


The newest Interstellar trailer is now online after last week's launch at Comic-Con, and it truly looks like Christopher Nolan's 2001: A Space Odyssey, only with a lot more emotional intensity from this cerebral director. The imagery is stunning for its contrast and

Trailering Star Wars Rebels


Coinciding with its Comic-Con activities, Disney/Lucasfilm has released an extended trailer for the animated Star Wars Rebels. Star Wars Rebels takes place between Star Wars: Episode III -- Revenge of the Sith and Star Wars: Episode IV -- A New Hope, which spans two

VES

VES Launches VFX Reference Platform

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Movies, Tech, VES, VFX, Virtual Production | Leave a comment

The Visual Effects Society (VES) has released The VFX Reference Platform, a set of tools and library versions to be used as a common target platform for building software for the industry. The purpose is to minimize incompatibilities between different software packages, ease the support burden for Linux-based pipelines, and encourage further adoption of Linux by software vendors. The Reference Platform is updated annually by a group of software vendors in collaboration with the VES technology committee. Read more

Hogarth and Blanchard Launch Conduit Seminars

Posted on by Bill Desowitz in Animation, Below the Line, Education, Events, Movies, previs, Tech, VES, VFX, Videogames, Virtual Production | Leave a comment

Industry insiders Pam Hogarth and Debra Blanchard Knight have launched Conduit Seminars to help production professionals find jobs and enhance their skills. The first session,  ”Job Hunting in Creative Industries,” will take place on Saturday, July 26th,  1:00 pm – 5:00 pm at Otis College of Art and Design (9045 Lincoln Blvd., Los Angeles). Read more

Harrison Ford Sought for Blade Runner Sequel

Posted on by Bill Desowitz in Below the Line, Clips, Movies, Tech, VES, VFX | Leave a comment

Ridley Scott wants Harrison Ford back as Rick Deckard in his Blade Runner sequel and Alcon Ent. has confirmed that an offer is out to the 71-year-old actor, who is also returning as Han Solo in J.J. Abrams’ Star Wars: Episode VII.

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VES Launches YouTube Channel

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Clips, Education, Events, Movies, previs, Production Design, Tech, VES, VFX, Virtual Production | Leave a comment

Today, the Visual Effects Society (VES) launched its new YouTube channel, providing unique access to the world of visual effects and the artists who create them.  The channel is designed to showcase outstanding examples of visual effects artistry and innovation from around the world, practical skills demonstrations, insights from leading practitioners and original content from VES signature events, workshops and forums.  The VES YouTube Channel is now live with an initial 100+ videos. Read more

Gravity, Frozen Big VES Winners

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Events, previs, Tech, VES, VFX, Virtual Production | Leave a comment

As expected, Alfonso Cuaron’s Oscar-contending Gravity dominated the 12th annual VES Awards, grabbing six trophies at the Beverly Hilton Wednesday night, including outstanding visual effects-driven feature, while Disney’s Frozen juggernaut went four for four, including outstanding animated feature (a first for the studio). Read more

Does the Academy Need a Visual Imaging Category?

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Cinematography, Clips, Oscar, previs, Tech, VES, VFX, Virtual Production | Leave a comment

With VFX taking a much more prominent role in the virtual lighting of hybrid movies, the question of who’s responsible for cinematography in evaluating Oscar contenders has prompted the Academy to consider a new visual imaging category. Obviously the discussion has intensified with Gravity’s Emmanuel (“Chivo”) Lubezki being the frontrunner this year. He would be the second cinematographer in a row to win the Oscar for predominantly virtual work and the third in Academy history. Read more

Gravity, Frozen, The Croods Top VES Nominations

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Cinematography, Movies, previs, Tech, VES, VFX | Leave a comment

The Visual Effects Society (VES) announced its nominees for the 12th annual VES Awards (held Feb. 12 at the Beverly Hilton), with Gravity leading the way with eight nominations. The space blockbuster was joined by Iron Man 3,  Pacific Rim, Star Trek Into Darkness, and The Hobbit: The Desolation of Smaug for outstanding VFX.

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Gravity Set for Jan. 17 Re-Release

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Cinematography, Clips, Events, Movies, Oscar, previs, Production Design, Sound, Tech, VES, VFX, Virtual Production | Leave a comment

Gravity, which has already grabbed $255 million domestically and $670 million worldwide, will get a final Oscar push when Warner Bros. re-releases the space thriller nationwide on Jan. 17, a day after the nominations are announced.

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Cuaron to Receive VES Visionary Award

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Clips, Movies, previs, Tech, VES, VFX, Virtual Production | Leave a comment

Alfonso Cuarón will receive the Visionary Award in recognition of the extraordinary Gravity as well as his consummate artistry and use of VFX throughout his career at the 12th Annual VES Awards on Feb. 12, 2014 at the Beverly Hilton Hotel.  Watch new “From Script to Screen” making of featurette below. Read more

VES Launches Open Source Camera Initiative

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Movies, performance capture, previs, Tech, VES, Virtual Production | Leave a comment

The Visual Effects Society (VES) has worked for more than a year with data management specialists Shotgun Software and 5th Kind and leading VFX companies to standardize data fields and specify data transfer formats to create a new universal system for providing reliable camera sheets and metadata.  The format is open sourced and is available with no fees or restrictions. As a result of this effort, the VES has now released a standardized interchange for camera reports, allowing essential VFX information to be better captured and transferred through production into post.

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