The Visual Effects Society (VES) has released The VFX Reference Platform, a set of tools and library versions to be used as a common target platform for building software for the industry. The purpose is to minimize incompatibilities between different software packages, ease the support burden for Linux-based pipelines, and encourage further adoption of Linux by software vendors. The Reference Platform is updated annually by a group of software vendors in collaboration with the VES technology committee. Read more
June 22, 2014
in Animation, Below the Line, Education, Events, Movies, previs, Tech, VES, VFX, Videogames, Virtual Production
Industry insiders Pam Hogarth and Debra Blanchard Knight have launched Conduit Seminars to help production professionals find jobs and enhance their skills. The first session, ”Job Hunting in Creative Industries,” will take place on Saturday, July 26th, 1:00 pm – 5:00 pm at Otis College of Art and Design (9045 Lincoln Blvd., Los Angeles). Read more
Ridley Scott wants Harrison Ford back as Rick Deckard in his Blade Runner sequel and Alcon Ent. has confirmed that an offer is out to the 71-year-old actor, who is also returning as Han Solo in J.J. Abrams’ Star Wars: Episode VII.
April 18, 2014
in 3-D, Animation, Below the Line, Clips, Education, Events, Movies, previs, Production Design, Tech, VES, VFX, Virtual Production
Today, the Visual Effects Society (VES) launched its new YouTube channel, providing unique access to the world of visual effects and the artists who create them. The channel is designed to showcase outstanding examples of visual effects artistry and innovation from around the world, practical skills demonstrations, insights from leading practitioners and original content from VES signature events, workshops and forums. The VES YouTube Channel is now live with an initial 100+ videos. Read more
As expected, Alfonso Cuaron’s Oscar-contending Gravity dominated the 12th annual VES Awards, grabbing six trophies at the Beverly Hilton Wednesday night, including outstanding visual effects-driven feature, while Disney’s Frozen juggernaut went four for four, including outstanding animated feature (a first for the studio). Read more
January 25, 2014
in 3-D, Animation, Below the Line, Cinematography, Clips, Oscar, previs, Tech, VES, VFX, Virtual Production
With VFX taking a much more prominent role in the virtual lighting of hybrid movies, the question of who’s responsible for cinematography in evaluating Oscar contenders has prompted the Academy to consider a new visual imaging category. Obviously the discussion has intensified with Gravity’s Emmanuel (“Chivo”) Lubezki being the frontrunner this year. He would be the second cinematographer in a row to win the Oscar for predominantly virtual work and the third in Academy history. Read more
The Visual Effects Society (VES) announced its nominees for the 12th annual VES Awards (held Feb. 12 at the Beverly Hilton), with Gravity leading the way with eight nominations. The space blockbuster was joined by Iron Man 3, Pacific Rim, Star Trek Into Darkness, and The Hobbit: The Desolation of Smaug for outstanding VFX.
January 8, 2014
in 3-D, Animation, Below the Line, Cinematography, Clips, Events, Movies, Oscar, previs, Production Design, Sound, Tech, VES, VFX, Virtual Production
Gravity, which has already grabbed $255 million domestically and $670 million worldwide, will get a final Oscar push when Warner Bros. re-releases the space thriller nationwide on Jan. 17, a day after the nominations are announced.
December 23, 2013
in 3-D, Animation, Below the Line, Clips, Movies, previs, Tech, VES, VFX, Virtual Production
Alfonso Cuarón will receive the Visionary Award in recognition of the extraordinary Gravity as well as his consummate artistry and use of VFX throughout his career at the 12th Annual VES Awards on Feb. 12, 2014 at the Beverly Hilton Hotel. Watch new “From Script to Screen” making of featurette below. Read more
The Visual Effects Society (VES) has worked for more than a year with data management specialists Shotgun Software and 5th Kind and leading VFX companies to standardize data fields and specify data transfer formats to create a new universal system for providing reliable camera sheets and metadata. The format is open sourced and is available with no fees or restrictions. As a result of this effort, the VES has now released a standardized interchange for camera reports, allowing essential VFX information to be better captured and transferred through production into post.