Don Hahn told me today at the Lion King 3-D junket that Tim Burton’s stop-motion Frankenweenie (Oct. 5, 2012) is such a personal project that he’s helming for the first time without a co-director. “This is Tim’s story; it’s about him growing up in Burbank with his dog,” Hahn said. “So I don’t know how else to describe it except it’s very personal for him.”
The exec producer, who goes all the way back to the old Disney days with Burton (who turned 53 on Thursday), added that shooting in black-and-white and 3-D helps elaborates on the great monster movies of the ’50s that Burton loves. In fact, the director always intended to make Frankenweenie as a stop-motion feature, though it wound up as a celebrated live-action short in ’84. This will allow him, for instance, to further explore the Frankenstein myth. The movie is being made in London and has about four more months of production.
With stop-motion enjoying a mini renaissance (next year will not only see the release of Frankenweenie but also Laika’s ParaNorman and Aardman/Sony’s The Pirates!, with Henry Selick’s ShadeMaker in the wings for Disney/Pixar), Hahn said it’s “incredibly fashionable.” But the digital world allows them to “shoot the movie on camera bodies with interchangeable lenses; we have video taps to be able to watch the progress while we’re working; and then 3-D is probably the other big breakthrough because part of the fun of stop-motion is being on this little child-size set, and, with 3-D, you feel like you’re there. And Tim’s really excited about that… So it’s a technique as old as time and that hasn’t changed. It’s still move a puppet, take a frame, but a lot of the tools around it have changed to allow us to do it a little faster and a little better.”
After unexpectedly losing his beloved dog Sparky, young Victor harnesses the power of science to bring his best friend back to life — with just a few minor adjustments. He tries to hide his home-sewn creation, but when Sparky gets out, Victor’s fellow students, teachers, and the entire town all learn that getting a new “leash on life” can be monstrous.