Getting More Immersed with Indiewire


  The Penske Media purchase of Indiewire has resulted in an expansion of my role as crafts and awards season contributor. ┬áBeginning this week, I begin Emmy coverage of below-the-line contenders along with my usual Oscar season crafts reporting, working closely

Immersed in Blu-ray: Hitchcock and Bogart


The WB Archive Collection gets Hitch and Bogie on Blu-ray and they've never looked better for home viewing. In Kent Jones' indispensable doc, Hitchcock/Truffaut, he reminds us that Truffaut was on a mission to correct misconceptions about Hitch as a lightweight

Immersed in Books: Farber on Film


For the first time, the complete writings of film critic Manny Farber is available from Library of America, edited by Robert Polito (Savage Art: A Biography of Jim Thompson). Manny Farber (1917-2008) was the first modernist film critic to write like a modernist.

Production Design

Trailering A Dangerous Method

Posted on by Bill Desowitz in Below the Line, Cinematography, Costume, Movies, Music, Oscar, Production Design, Trailers | Leave a comment

David Cronenberg’s predictably polarizing A Dangerous Method (Nov. 23) managed to get under everyone’s skin at both Telluride and Venice this past weekend. This is right up Cronenberg’s cerebral alley with the intense rivalry between Carl Jung (Michael Fassbender) and Sigmund Freud (Viggo Mortensen) leading to the rise of psychoanalysis on the eve of World War I. And when you factor in the beautiful and unbalanced Sabina Spielrein (Keira Knightley) who comes between them, you’ve got plenty of sexual repression to deal with As always, look for below-the-line Oscar potential from such Cronenberg regulars production designer James McATeer, cinematographer Peter Suschitzky, costume designer Denise Cronenberg, and composer Howard Shore.

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