Getting More Immersed with Indiewire


  The Penske Media purchase of Indiewire has resulted in an expansion of my role as crafts and awards season contributor.  Beginning this week, I begin Emmy coverage of below-the-line contenders along with my usual Oscar season crafts reporting, working closely

Immersed in Blu-ray: Hitchcock and Bogart


The WB Archive Collection gets Hitch and Bogie on Blu-ray and they've never looked better for home viewing. In Kent Jones' indispensable doc, Hitchcock/Truffaut, he reminds us that Truffaut was on a mission to correct misconceptions about Hitch as a lightweight

Immersed in Books: Farber on Film


For the first time, the complete writings of film critic Manny Farber is available from Library of America, edited by Robert Polito (Savage Art: A Biography of Jim Thompson). Manny Farber (1917-2008) was the first modernist film critic to write like a modernist.

performance capture

The Big Short Grabs Top PGA Prize

Posted on by Bill Desowitz in Animation, Below the Line, Crafts, Events, Movies, Oscar, performance capture, Tech, Trailers, VFX, Virtual Production | Leave a comment

The Big Short got a big lift Saturday night from the PGA in the three-way race for the Best Picture Oscar with The Revenant and Spotlight. In fact, when producers Dede Gardner and Jeremy Kleiner accepted the coveted Darryl F. Zanuck Award, Kleiner was so flabbergasted that he said he thought they were just being named as one of the nominees. Read more

Evaluating the VFX Oscar Nominees

Posted on by Bill Desowitz in 3-D, Below the Line, Clips, Crafts, Movies, Oscar, performance capture, previs, Tech, VFX, Virtual Production | Leave a comment

Here are the contenders: the return to a galaxy far, far away and the original post-apocalyptic world, an incredible bear, a bronze Mars, and a seductive female android. Read more

The Revenant, Mad Max: Fury Road Dominate Oscar Noms

Posted on by Bill Desowitz in 3-D, Animation, Cinematography, Costume, Crafts, documentary, Editing, Events, Makeup/Hair, Movies, Music, Oscar, performance capture, previs, Production Design, Screenwriting, Shorts, Sound, stop-motion, Tech, TV, VFX, Virtual Production | Leave a comment

The Oscar race is on with The Revenant grabbing 12 noms, Mad Max: Fury Road snagging 10 and Star Wars: The Force Awakens taking five. Pixar front-runner Inside Out led an animation field (while also earning an original script nod for Pete Docter, Meg LeFauve and Josh Cooley) that now embraces more indies. Read more

The Force Awakens, Peanuts Dominate VES Noms

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Crafts, Events, Movies, performance capture, stop-motion, Tech, TV, VES, VFX, Videogames, Virtual Production | Leave a comment

The race is on for the 14th VES Awards, Star Wars: The Force Awakens grabbed seven noms while The Peanuts Movie led animation contenders with five. Read more

Creating the VFX for The Force Awakens

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Movies, performance capture, previs, Tech, Trailers, VFX, Virtual Production | Leave a comment

Industrial Light & Magic has always been at its best with Star Wars, and the VFX powerhouse that George Lucas launched 40 years ago certainly upped its game for the return of the signature franchise, and is also the Oscar frontrunner. Read more

Trailering The BFG from Steven Spielberg

Posted on by Bill Desowitz in Animation, Below the Line, Books, Cinematography, Costume, Crafts, Editing, Makeup/Hair, Movies, Music, Oscar, performance capture, previs, Production Design, Sound, Tech, Trailers, VFX, Virtual Production | Leave a comment

We get our first peek of the eponymous giant (a performance-captured Mark Rylance by Weta Digital) from Steven Spielberg’s adaptation of Roal Dahl’s The BFG (July 1, 2016), which also marks his first directorial effort at Disney. Read more

20 Advance in VFX Oscar Shortlist

Posted on by Bill Desowitz in 3-D, Below the Line, Crafts, Movies, Oscar, performance capture, Tech, VFX, Virtual Production | Leave a comment

 The Academy released the 20 VFX movies shortlisted for Oscar consideration, and thanks to a new rule expanding eligibility, you have the inclusion of the indie Ex Machina and the supporting Bridge of Spies.  Otherwise, the gang’s all here from Star Wars: The Force Awakens to Jurassic World to The Martian to Mad Max: Fury Road. The only noticeable omissions were Crimson Peak and the critically panned Pan.

Read more

Ranking the Impactful 8 VFX Oscar Contenders

Posted on by Bill Desowitz in 3-D, Below the Line, Crafts, Movies, performance capture, previs, Tech, Trailers, VFX, Virtual Production | Leave a comment

Find out why The Impactful 8 have the best chance at snagging Oscar noms. Read more

VES Summit Highlights: VR Rules

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Cinematography, Crafts, Events, Movies, performance capture, previs, Production Design, Tech, TV, VES | Leave a comment

Dean Devlin emphasized breaking up the layers between VFX and the rest of production in his VES Summit keynote last Saturday at the W Hotel in Hollywood, and Virtual Reality took center stage as the new frontier. Read more

ILM Celebrates 40th at VIEW

Posted on by Bill Desowitz in 3-D, Below the Line, Crafts, Events, Movies, Oscar, performance capture, previs, Tech, VFX, Virtual Production | Leave a comment

ILM takes its 40th presentation to VIEW this month in Turin, Italy, along with Jurassic WorldRead more

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