Getting More Immersed with Indiewire

  The Penske Media purchase of Indiewire has resulted in an expansion of my role as crafts and awards season contributor.  Beginning this week, I begin Emmy coverage of below-the-line contenders along with my usual Oscar season crafts reporting, working closely

Immersed in Blu-ray: Hitchcock and Bogart

The WB Archive Collection gets Hitch and Bogie on Blu-ray and they've never looked better for home viewing. In Kent Jones' indispensable doc, Hitchcock/Truffaut, he reminds us that Truffaut was on a mission to correct misconceptions about Hitch as a lightweight

Immersed in Books: Farber on Film

For the first time, the complete writings of film critic Manny Farber is available from Library of America, edited by Robert Polito (Savage Art: A Biography of Jim Thompson). Manny Farber (1917-2008) was the first modernist film critic to write like a modernist.

How They Did It

How They Did It: The Bolero Scene in Cheatin’

Posted on by Bill Desowitz in Animation, Below the Line, Clips, Crafts, How They Did It, Movies, Tech | Leave a comment

Bill Plympton’s Cheatin’ opened theatrically Friday in NYC and I thought it would be fun to explore one of my favorite scenes: the hit man getting ready to the beat of BoleroCheatin’ represents a sizable investment of around $400,000 and yet Plympton still required $100,000 from a successful Kickstarter campaign to finish the digital watercolor work that was essential to the aesthetic. But this colorful and hyper-real depiction of hardboiled lust and violence represents Plympton’s masterpiece. Recalling James M. Cain with plenty of shadows and sleaze, it’s also very operatic and even balletic. Plympton admits that it took him to a whole new artistic place and it shows. Like Idiots and Angels, there’s no dialogue, but this is a much more ambitious panto with flashbacks and fantasies that seamlessly meld together like a surreal dream. Read more

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