Talking House of Cards BTL


I recently spoke with the three Bs of below-the-line craft on the acclaimed, $100 million House of Cards, which is in pre-production on its second season for Netflix: cinematographer Eigil Bryld (You Don't Know Jack), costume designer Tom Broecker (Saturday Night Live),

Talking Before Trilogy with Editor Adair


What's fascinating about Richard Linklater's acclaimed Before trilogy is that it not only chronicles the fleeting romance between Jesse (Ethan Hawke) and Celine (Julie Delpy), but also captures a casual snapshot of the last three decades. I recently spoke with editor

John Knoll Promoted to Chief Creative Officer at ILM


Industrial Light & Magic's veteran VFX supervisor, John Knoll, has been upped to chief creative officer, assuming a new creative role as the Disney-owned VFX powerhouse ramps up production on the rebooted Star Wars franchise with J.J. Abrams. It's a great move for

Editing

Talking Before Trilogy with Editor Adair

Posted on by Bill Desowitz in Below the Line, Editing, Movies, Tech, Trailers | Leave a comment

What’s fascinating about Richard Linklater’s acclaimed Before trilogy is that it not only chronicles the fleeting romance between Jesse (Ethan Hawke) and Celine (Julie Delpy), but also captures a casual snapshot of the last three decades. I recently spoke with editor Sandra Adair about reuniting with these two soul mates who are finally in a committed relationship in Before Midnight, but still on shaky ground while vacationing in Greece. Read more

The Academy Tackles Storytelling in the Digital Age

Posted on by Bill Desowitz in 3-D, Clips, Editing, Movies, Oscar, Tech, VFX, Virtual Production | Leave a comment

Tech and storytelling converged during a fascinating series of discussions at the Academy on May 15 about Zero Dark Thirty, Argo, and Star Trek Into Darkness, hosted by screenwriter John August. Read more

Trailering Before Midnight

Posted on by Bill Desowitz in Below the Line, Editing, Movies, Trailers | Leave a comment

The first trailer for Richard Linklater’s Before Midnight (May 24) wonderfully sums up the richness and depth on display between Jesse (Ethan Hawke) and Celine (Julie Delpy) in what has become a unique romantic trilogy. Read more

Immersed in Blu-ray: The Insider

Posted on by Bill Desowitz in Below the Line, Blu-ray, Cinematography, Editing, Home Entertainment, Movies, Production Design, Tech | Leave a comment

Back in 2000, many of us thought The Insider should’ve won best picture. It was an incisive and oppressive fact-based thriller that recalled the best of the ’70s. Now an indispensable Blu-ray is out from Touchstone Ent. looking darker and richer than ever before, and, if anything, Michael Mann’s movie seems even more brilliant. Read more

Brave Wins Editing, First-Time Sound Mixing Honors

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Editing, Movies, Sound, Tech | Leave a comment

Pixar’s Brave racked up major editing and sound mixing awards Saturday night: taking Best Edited Feature Film (Animated) at the 63rd annual ACE Eddie Awards at the Beverly Hilton, while grabbing a first-time animation award for sound mixing at the 49th annual CAS Awards at the Millennium Biltmore. Read more

Life of Pi, Brave Earn BAFTA Honors

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Cinematography, Costume, Editing, Events, James Bond, Movies, Music, Production Design, Shorts, Sound, Tech, VFX, Virtual Production | Leave a comment

While Argo and Ben Affleck unsurprisingly took the top prizes for best film and director today at the BAFTA Awards in London,  Pixar’s Scottish-flavored Brave won for best animated feature and Life of Pi for VFX  (Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer). Life of Pi’s Claudio Miranda also scored the cinematography award; The Making of Longbird and Swimmer earned honors for best animated and live-action short, respectively. Read more

Spielberg to Receive ACE Filmmaker of the Year

Posted on by Bill Desowitz in Below the Line, Editing, Events, Movies, Tech | Leave a comment

Coinciding with the acclaimed Lincoln, Steven Spielberg will be honored with the prestigious ACE Golden Eddie Filmmaker of the Year Award by the the American Cinema Editors. The award will be presented at the 63rd annual ACE Eddie Awards ceremony on Saturday, Feb. 16, in the International Ballroom of the Beverly Hilton Hotel. The previously announced ACE Eddie Award nominees in nine categories of film, TV, and documentaries is available online:  http://ace-filmeditors.org/ace-eddie-awards/nominees-recipients/. Read more

Clipping Lincoln: An American Journey

Posted on by Bill Desowitz in Below the Line, Books, Cinematography, Clips, Costume, Editing, Movies, Music, Oscar, Production Design, Tech | Leave a comment

A new 20-minute behind the scenes special about Steven Spielberg’s Lincoln is available online. It was released on Apple iTunes and will air Sunday on KCBS at 9:00 am (PT). It’s an informative snapshot of Spielberg’s lifelong fascination with the 16th President and the making of the Oscar front-runner for Best Picture. Read more

ACE Nominations Announced

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Editing, Events, Movies, Tech | Leave a comment

The American Cinema Editors (ACE) announced nominations for the 63rd annual Eddie Awards, with Argo, Life of Pi, Lincoln, Skyfall, and Zero Dark Thirty headlining dramatic feature and Brave, Frankenweenie, Rise of the Guardians, and Wreck-It Ralph leading for animated feature (a tie resulted in four nominees instead of three). Read more

Immersed in Oscars 2013: Life of Pi Rules Tech Noms

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Cinematography, Costume, Editing, Events, James Bond, Movies, Music, Oscar, performance capture, previs, Production Design, Tech, VFX, Virtual Production | Leave a comment

Life of Pi not only grabbed 11 nominations (second only to Lincoln’s 12), including best picture, but Ang Lee’s spiritual epic also dominated the tech categories with eight nods for cinematography, production design, editing, VFX, sound editing and mixing, original score, and original song — “Pi’s Lullaby.” Read more