Getting More Immersed with Indiewire


  The Penske Media purchase of Indiewire has resulted in an expansion of my role as crafts and awards season contributor.  Beginning this week, I begin Emmy coverage of below-the-line contenders along with my usual Oscar season crafts reporting, working closely

Immersed in Blu-ray: Hitchcock and Bogart


The WB Archive Collection gets Hitch and Bogie on Blu-ray and they've never looked better for home viewing. In Kent Jones' indispensable doc, Hitchcock/Truffaut, he reminds us that Truffaut was on a mission to correct misconceptions about Hitch as a lightweight

Immersed in Books: Farber on Film


For the first time, the complete writings of film critic Manny Farber is available from Library of America, edited by Robert Polito (Savage Art: A Biography of Jim Thompson). Manny Farber (1917-2008) was the first modernist film critic to write like a modernist.

Editing

Oscar Wrap-Up: The Outsiders Get the Spotlight

Posted on by Bill Desowitz in Animation, Below the Line, Cinematography, Clips, Costume, Crafts, Editing, Events, James Bond, Makeup/Hair, Movies, Music, Oscar, Production Design, Score, Screenwriting, Shorts, Sound, Tech, VFX, Virtual Production | Leave a comment

Turns out there was a great deal of surprising diversity among last night’s Oscar winners. And it was all about championing the outsider. Read more

Evaluating the Best Editing Oscar Nominees

Posted on by Bill Desowitz in Below the Line, Crafts, Editing, Movies, Tech | Leave a comment

The contenders include the return to a post-apocalyptic wasteland and a galaxy far, far away, the (surreal) collapse of the financial system, a metaphysical journey in the frozen wilderness, and The  Boston Globe’s exposure of the Catholic Church sex abuse scandal. Read more

Clipping Anomalisa Landing for the Oscar Contender

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Cinematography, Clips, Crafts, Editing, Movies, Sound, stop-motion, Tech, VFX, Virtual Production | Leave a comment

This “Anomalisa Landing” clip demonstrates the sophisticated storytelling and aesthetics behind the stop-motion Oscar contender from Charlie Kaufman & Duke Johnson. Read more

Fury Road and The Big Short Split ACE Awards

Posted on by Bill Desowitz in Animation, Below the Line, Crafts, documentary, Editing | Leave a comment

Editors Margaret Sixel (Mad Max: Fury Road) and Hank Corwin (The Big Short) were the big ACE winners Friday night at the Beverly Hilton thanks to the split between drama and comedy. Meanwhile, Inside Out (edited by Kevin Nolting) and Amy  (edited by Chris King) took animation and doc, respectively. Read more

Margaret Sixel Talks Editing Mad Max: Fury Road

Posted on by Bill Desowitz in Below the Line, Crafts, Editing, How They Did It, Movies, Oscar, Tech, Trailers | Leave a comment

Oscar nominee and ACE winner Margaret Sixel had a major advantage on Mad Max: Fury Road: her candor. Read more

Trailering More Kubo and the Two Strings

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Cinematography, Costume, Crafts, Editing, Makeup/Hair, Movies, Music, previs, Production Design, Screenwriting, Sound, stop-motion, Tech, Trailers, VFX, Virtual Production | Leave a comment

Watch the first full trailer for Kubo and the Two Strings (Aug. 19 from Focus Features) and witness a glimpse of greater stop-motion supremacy by Laika, embracing samurai and mythic Japan in ornate fashion. Read more

How They Found The Big Short Rhythm

Posted on by Bill Desowitz in Below the Line, Books, Clips, Crafts, Editing, Movies, Tech | Leave a comment

Oscar nominee Hank Corwin had two great editorial challenges with Adam McKay’s dense black comedy, The Big Short: how to make sense of the complicated economics surrounding the 2008 housing collapse, and how to humanize the competing groups of brokers that profited from it. (Watch the making of featurette below.) Read more

The Revenant, Mad Max: Fury Road Dominate Oscar Noms

Posted on by Bill Desowitz in 3-D, Animation, Cinematography, Costume, Crafts, documentary, Editing, Events, Makeup/Hair, Movies, Music, Oscar, performance capture, previs, Production Design, Screenwriting, Shorts, Sound, stop-motion, Tech, TV, VFX, Virtual Production | Leave a comment

The Oscar race is on with The Revenant grabbing 12 noms, Mad Max: Fury Road snagging 10 and Star Wars: The Force Awakens taking five. Pixar front-runner Inside Out led an animation field (while also earning an original script nod for Pete Docter, Meg LeFauve and Josh Cooley) that now embraces more indies. Read more

Getting Epic and Intimate with The Martian

Posted on by Bill Desowitz in 3-D, Below the Line, Clips, Crafts, Editing, Movies, Music, Oscar, Production Design, Tech, VFX, Virtual Production | Leave a comment

The Martian crafts people echoed the same thing: it was an inside-out journey centered around Matt Damon’s engaging astronaut/botanist, who’s in peril but who never loses his optimism or humor. Therefore, it became a balancing act between the epic and the intimate. Read more

Ranking the 6 Best Editing Oscar Contenders

Posted on by Bill Desowitz in Below the Line, Clips, Crafts, Editing, Movies, Oscar | Leave a comment

Among the year’s editorial achievements: a metaphysical journey, the economic collapse as black comedy, a massive Catholic Church cover-up, post-apocalyptic adventure, one man’s colonization of Mars and LA’s “reality rap” story. Read more

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