Editors Margaret Sixel (Mad Max: Fury Road) and Hank Corwin (The Big Short) were the big ACE winners Friday night at the Beverly Hilton thanks to the split between drama and comedy. Meanwhile, Inside Out (edited by Kevin Nolting) and Amy (edited by Chris King) took animation and doc, respectively. Read more
January 14, 2016
in 3-D, Animation, Cinematography, Costume, Crafts, documentary, Editing, Events, Makeup/Hair, Movies, Music, Oscar, performance capture, previs, Production Design, Screenwriting, Shorts, Sound, stop-motion, Tech, TV, VFX, Virtual Production
The Oscar race is on with The Revenant grabbing 12 noms, Mad Max: Fury Road snagging 10 and Star Wars: The Force Awakens taking five. Pixar front-runner Inside Out led an animation field (while also earning an original script nod for Pete Docter, Meg LeFauve and Josh Cooley) that now embraces more indies. Read more
In the third “Conversations with Sound Artists” Podcast series from the Dolby Institute and the Soundworks Collection, Coll Anderson discusses “telling human stories” in docs (listen below). Read more
Rosenwald, the fascinating doc about Jewish millionaire/philanthropist Julius Rosenwald, opens this weekend in LA. He was owner of Sears, who during the Jim Crow era funded more than 5,300 black schools in the deep south and was responsible for educating intellectuals and artists that would later become crucial political and cultural leaders. Inspired by the late Julian Bond (whose father and uncle were both Rosenwald fellows), Aviva Kempner (Yoo Hoo, Mrs. Goldberg, The Life and Times of Hank Greenberg) sheds light on this silent partner of the pre-civil rights movement, who was influenced by Booker T. Washington (above with Rosenwald) and Rabbi Emil Hirsch.
Paul Newman and Steve McQueen were not only acting rivals but also avid speed racers. And there are two new revealing docs about their passion for racing: Winning: The Racing Life of Paul Newman, which opens this weekend theatrically and VOD, and Steve McQueen: The Man & Le Mans, which premiered last week at Cannes. Newman’s is upbeat while McQueen’s is downbeat. Both deserve our attention. Read more