Now that Ridley Scott has gotten a pleasant taste from revisiting Alien with the 3-D Prometheus (June 8, 2012), Deadline.com reports that he’s signed on for more Blade Runner with Alcon Ent. and producers Bud Yorkin and Cynthia Sikes. It’s uncertain if the project would be a prequel, sequel, or spinoff (like Prometheus), since no script has been written, but the news has stoked Anne Thompson and other journos. Why not? The landmark 1982 sci-fi/neo-noir not only ushered in cinematic cyberpunk, but also the fascination with the phantasmagorical Philip K. Dick (Do Androids Dream of Electric Sheep?) that continues to this day.
Back in 1986, Scott told me he was fascinated with the notion of Harrison Ford’s weary Deckard as a secret replicant, but that he was never given the budget to convey it clearly or convincingly. As we know, he attempted to massage the clues in various iterations, culminating with the Blu-ray release in 2007 of the “Final Cut.” I suspect that this renewed opportunity to definitively close the book on Deckard’s identity is a major appeal, along with the chance to bring the imaginative and prescient universe up to date with state-of-the-art CG and 3-D. After all, the original took place in L.A. in 2019 and remains one of the best-looking films ever made.
Indeed, when I had the chance to revisit Blade Runner with Scott in honor of the Blu-ray release, he gave a hint about its timeless appeal that bears repeating: “I think it’s the cast that keeps everything really alive… and the unusual blow-by-blow and organic engagement of one character throughout each scene… Everything makes sense: If you want to read at the end of the film that there are parallels to where we are today, it’s all there… I think that when scientists get stymied, they look to the possibility of God for just sheer imagination.”