Inside Out Tops Annies with 10 Wins


The 43rd Annie Awards Saturday night at UCLA's Royce Hall was a love fest for Pixar's Inside Out, which grabbed 10 awards, including Best Animated Feature, and is primed for the Oscar. The Good Dinosaur, which dominated VES animator on Tuesday, took the Animated

Why The Force Awakens Should Win the VFX Oscar


Who ever thought you'd have to make the case for Star Wars winning the VFX Oscar? But with all the buzz surrounding Mad Max: Fury Road and The Revenant bear, which earned three additional VES awards for ILM, there are no guarantees. And that's the point: ILM has done

Burr Steers Talks Pride and Prejudice and Zombies


Although Burr Steers dislikes the word "kitsch" for its cheap connotation, he had a hard time denying that Pride and Prejudice and Zombies isn't kitschy, especially after admitting that the biggest influence was Tony Richardson's The Charge of the Light Brigade (1968),

Animation

Trailering The BFG from Steven Spielberg

Posted on by Bill Desowitz in Animation, Below the Line, Books, Cinematography, Costume, Crafts, Editing, Makeup/Hair, Movies, Music, Oscar, performance capture, previs, Production Design, Sound, Tech, Trailers, VFX, Virtual Production | Leave a comment

We get our first peek of the eponymous giant (a performance-captured Mark Rylance by Weta Digital) from Steven Spielberg’s adaptation of Roal Dahl’s The BFG (July 1, 2016), which also marks his first directorial effort at Disney. Read more

Pixar Grabs 25 Annie Noms

Posted on by Bill Desowitz in 3-D, Animation, Annies, Below the Line, Crafts, Events, Movies, Shorts, stop-motion, VFX, Virtual Production | Leave a comment

With two features and a short, Pixar led the Annie nominations with 25. Minions picked up 7, Peanuts 5 Home and Hotel Transylvania 2 got three each. Read more

Clipping the Making of Anomalisa

Posted on by Bill Desowitz in Animation, Below the Line, Clips, Crafts, Movies, Oscar, stop-motion, Tech, VFX, Virtual Production | Leave a comment

Find out how stop-motion blurs the line between animation and live-action in the Oscar contending Anomalisa from Charlie Kaufman and Duke Johnson. Read more

How Pixar Animated The Good Dinosaur

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Crafts, Movies, previs, Tech, Trailers, VFX, Virtual Production | Leave a comment

Animating dinos was new to Pixar on The Good Dinosaur, with particular emphasis on Arlo, the young Apatosaurus protagonist, as well as the special brand of T-Rexes. Locomotion and efficiency were key, and the animators took their cues from studying elephants. However, for the T-Rexes, director Peter Sohn wanted them to look like cowboys on horseback. Animation director Rob Thompson and animator Kevin O’Hara discuss the challenges. Read more

Sneak Peeking Zootopia with Howard & Moore

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Crafts, Movies, Tech, Trailers, VFX, Virtual Production | Leave a comment

Zootopia (March 4, 2016), from directors Byron Howard (Tangled) and Rich Moore (Wreck-It Ralph) and producer Clark Spencer (Wreck-It Ralph), represents Disney’s first anthropomorphic feature “designed for animals by animals.” Rookie bunny cop Judy Hopps (Ginnifer Goodwin) teams up with sly fox Nick Wilde (Jason Bateman) to solve a disappearance that could tear Zootopia apart. It’s about overcoming bias and Grammy-winning Shakira will voice pop star Gazelle and sing the anthem, “Try Everything.” Read more

Disney/Dali Destino Art: Lost, Found, Reconstructed

Posted on by Bill Desowitz in Animation, Below the Line, Crafts, Movies, Shorts | Leave a comment

At long last, the narrative puzzle for Salvador Dali and Disney’s Destino has been put back together, thanks to the recovery of a “lost” collection of Destino art, which was presented for the first time at Chapman University on Tuesday by animation art conservationist Ron Barbagallo (view a clip here). Images by permission of the Research Library at Animation Art Conservation. Read more

Getting Animated About the Oscar Contenders

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Clips, Crafts, Movies, Oscar, previs, stop-motion, Tech, Trailers, VFX, Virtual Production | Leave a comment

Here are the five likely nominees for best animated feature: Pixar at its most abstract, Blue Sky’s masterpiece, two very different stop-motion triumphs and the hand-drawn Brazilian tapestry distributed by GKIDS. Read more

Revisiting Shaun the Sheep Movie from Aardman

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Blu-ray, Crafts, Movies, Oscar, stop-motion, Tech, Trailers, VFX, Virtual Production | Leave a comment

Last week’s Blu-ray/DVD combo pack arrival of Shaun the Sheep Movie from Lionsgate offered another opportunity to speak with directors Mark Burton & Richard Starzak about Aardman’s Oscar contender, which has racked up $100 million internationally and sparked a sequel from Studiocanal. Stop-motion without dialogue and exploring good vs. bad parenting during its rollicking adventure provided lots of new tricks, even for Aardman. Read more

Immersed in Blu-ray: Ant-Man from Marvel

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Blu-ray, Clips, Crafts, Home Entertainment, Movies, previs, Tech, VFX, Virtual Production | Leave a comment

Marvel’s Ant-Man with Paul Rudd and Michael Douglas arrives Dec. 8th on Blu-ray/DVD from Disney as an absurd superhero/heist movie. Read more

Trailering Zootopia Sloth from Disney

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Crafts, Movies, Music, previs, Production Design, Sound, Tech, Trailers, VFX, Virtual Production | Leave a comment

Watch the new trailer for Zootopia (March 4, 2016) featuring the hilarious Sloth scene. Read more