It wasn’t easy penetrating the veil of secrecy surrounding Star Wars: The Force Awakens, but screenwriter Lawrence Kasdan (The Empire Strikes Back, Return of the Jedi) enjoyed discussing themes and metaphors as the Yoda of the inner circle with J.J. Abrams and Kathleen Kennedy.
The Walk, which recreates Philippe Petit’s amazing high-wire act across the World Trade Center Twin Towers in 1974, has been shortlisted for the VFX Oscar. And on Tuesday, it was the subject of a special case study on virtual production held at Sony for a joint tech committee comprised of the ASC, ADG, VES, the Previs Society, the PGA and the ICG.
It’s an awards season full of musical riches: the rousing update of a legendary score, the return of an iconic composer at home with the Western, a chamber piece for a journalism triumph, the fascination of forbidden love and a sublime animated tour-de-force.
Boy and the World, the hand-drawn Brazilian festival fave from Alê Abreu, unfolds like a sumptuous tapestry for a small stick figure of a boy, who experiences an exciting yet difficult rite of passage. At the same time, Abreu offers a devastating political critique as the boy travels from the simple line drawings of his village to bushels of cotton-lined country roads to industrial landscapes filled with animal-machines, whirling carnival colors, exploding fireworks and flashing neon adverts. All of this … →
December 15, 2015
in 3-D, Animation, Below the Line, Books, Clips, Costume, Crafts, Events, Movies, previs, Production Design, Sound, stop-motion, Tech, VFX, Virtual Production
Portland-based Laika has released a terrific video reel commemorating 10 years of bold storytelling and innovative stop-motion (Coraline, ParaNorman, The Boxtrolls and next year’s Kubo and the Two Strings).
Emmanuel (Chivo) Lubezki could make Oscar history as the first cinematographer to win three consecutive Academy Awards. What’s more, Gravity, Birdman and The Revenant comprise his very own personal survival trilogy, and the first two movies prepared him for the more harrowing adventure in the frozen wilderness with director Alejandro González Iñárritu and Leonardo DiCaprio portraying 19th century trapper Hugh Glass.
In keeping with Aaron Sorkin and Danny Boyle’s vision for Steve Jobs as a trio of product launches (the Macintosh in ’84, the NeXT in ’88 and the iMac in ’98), composer Daniel Pemberton wrote three different pieces that underscore the story arc and complement the distinct visual styles of director of photography Alwin H. Küchler. In fact, it became a very personal journey for the surprise Golden Globe nominee for Best Original Score, who exclusively composes on the Mac. (Watch an exclusive featurette on the … →
With its dense, real-life narrative, Straight Outta Compton posed a unique challenge for editors Billy Fox and Michael Tronick. Their dilemma? How to streamline F. Gary Gray’s biopic of hip-hop group N.W.A to make it accessible to a wide audience, while remaining true to subjects Ice Cube and Dr. Dre—both producers on the film. The result is a portrait of N.W.A’s ”reality rap” as a cultural document of gang life, drug dealing, and police harassment in ’80s and ’90s L.A. that’s rooted in … →
Pacific Aviation Museum is honoring the famed World War II-era B17 “Flying Fortress,” affectionately named “Swamp Ghost,” with Disney artists Mike Gabriel (director, “Pocahontas,” “The Rescuers Down Under” and the Oscar-nominated short, “Lorenzo”) and Klay Hall (director, Disneytoon Studios “Planes”) worked together to create original nose art, to be exclusively displayed at the Museum.
Forbidden love, immigration, transgender awakening, the Hollywood Blacklist and post-apocalyptic survival are explored in the top five costume contenders.