Trailering The Secret Life of Pets from Illumination

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Crafts, Movies, previs, Tech, Trailers, VFX, Virtual Production | Leave a comment

Here’s the second trailer for The Secret Life of Pets from Illumination (July 7) about what our pets do when we’re not around.

Trailering Trolls from DreamWorks

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Crafts, Movies, Music, previs, Tech, Trailers, VFX, Virtual Production | Leave a comment

Watch the first trailer for DreamWorks’ Trolls (Nov. 4) , a musical comedy based on the popular dolls from the ’90s, showing off their colorful hair.

Clipping Spectre Title Sequence for Writing’s on the Wall

Posted on by Bill Desowitz in Below the Line, Clips, Crafts, James Bond, Movies, Music, Oscar | Leave a comment

In support of Sam Smith’s Oscar-nominated “Writing’s on the Wall,”  Sony has released the opening title sequence to Spectre.

Trailering More Kubo and the Two Strings

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Cinematography, Costume, Crafts, Editing, Makeup/Hair, Movies, Music, previs, Production Design, Screenwriting, Sound, stop-motion, Tech, Trailers, VFX, Virtual Production | Leave a comment

Watch the first full trailer for Kubo and the Two Strings (Aug. 19 from Focus Features) and witness a glimpse of greater stop-motion supremacy by Laika, embracing samurai and mythic Japan in ornate fashion.

Clipping The Martian VFX Breakdown

Posted on by Bill Desowitz in 3-D, Below the Line, Clips, Crafts, Movies, Oscar, previs, Tech, VFX, Virtual Production | Leave a comment

Watch this VFX breakdown of the Oscar-nominated The Martian by MPC, which includes all the scenes on Mars.

The Big Short Grabs Top PGA Prize

Posted on by Bill Desowitz in Animation, Below the Line, Crafts, Events, Movies, Oscar, performance capture, Tech, Trailers, VFX, Virtual Production | Leave a comment

The Big Short got a big lift Saturday night from the PGA in the three-way race for the Best Picture Oscar with The Revenant and Spotlight. In fact, when producers Dede Gardner and Jeremy Kleiner accepted the coveted Darryl F. Zanuck Award, Kleiner was so flabbergasted that he said he thought they were just being named as one of the nominees.

Design for Living: Production Design Nominees

Posted on by Bill Desowitz in Below the Line, Crafts, Movies, Oscar, Production Design, Tech, Trailers, Virtual Production | Leave a comment

A new twist on George Miller’s post-apocalyptic wasteland; a frozen wilderness transformed into a haunting dreamscape; space travel and the colonization of Mars; war-torn East Berlin; and a transgender tale defined by art and contrasting cityscapes compete for the Academy Award.

How They Made the Mad Max: Fury Road VFX

Posted on by Bill Desowitz in Below the Line, Clips, Crafts, Movies, Oscar, Tech, VFX, Virtual Production | Leave a comment

The VFX Oscar nom for Mad Max: Fury Road is a testament to the continuing power of George Miller’s post-apocalyptic storytelling, only more polished and immersive. It’s essentially one long desert chase in the War Rig, with 75 vehicles, captured mostly in camera, utilizing the invaluable Edge camera rig.

How They Scored the Oscar-Nominated Carol

Posted on by Bill Desowitz in Below the Line, Clips, Crafts, Movies, Music, Oscar | Leave a comment

In his Oscar-contending Carol score, Carter Burwell used a trio of poignant themes to convey the complexity of Todd Haynes’ lesbian love story between the eponymous socialite (Cate Blanchett) and aspiring photographer Therese (Rooney Mara), both Oscar-nominated.

Sneak Peeking the Design of Zootopia

Posted on by Bill Desowitz in 3-D, Animation, Below the Line, Clips, Crafts, Movies, Music, Production Design, Virtual Production | Leave a comment

In conjunction with the creation of more than 1,000 distinctive animals of all shapes and sizes (gnus to shrews, lemmings to leopards, rabbits to rhinos) the Zootopia design team built a mammal metropolis with the necessary scale and climate conditions. There are zones such as Sahara Square, Tundra Town, Little Rodentia, Rainforest District and Bunny Burroughs, divided by a climate wall. But what’s unique about Zootopia is that it’s a global city built by animals for animals.